1843-53. Link
Something...
1975: Something Charles (Eames) said to Ray, and so she wrote it down: "Any indication of not knowing how constantly great you are is merely a lapse into insanity. C.E. to R.E., Jan. 3, 1975"via Reference Library
Brooch
circa 1400: Perfect. "This heart-shaped brooch with its romantic inscription was given as a token of love. It would have been used to fasten a tunic, gown or cloak. Gold was the most costly of metals, generally used only by royalty and the nobility. It is inscribed and would have formerly been enamelled on the reverse in French, in black letter script, ‘Ourselves and all things at your whim’ ('Nostre et tout ditz a vostre desier'). The design on the front of the brooch, possibly stylised leaves and flowers or feathers, would also have been colourfully enamelled." Link
Quarries
1646: "This panel comprises nine quarries (small diamond-shaped panels) of green tinted glass, each diamond engraved with an inscription. (See Further Information.) They are purported to have been written by Charles I (1600-1649) to his wife Henrietta Maria (1609-1669) on the window of his prison at Carisbrooke Castle on the Isle of Wight, where he was detained in 1646. There is, however, no evidence to support this supposed provenance. The glass is hand blown and extremely thin, qualities compatible with a 17th-century date." Link
Examples of False Principles of Decoration
1852: "This candlestick was included in the display of 'Examples of False Principles of Decoration' held at Marlborough House, Pall Mall in 1853 and described as follows:'No.87 Candlestick in the style of Louis XV
Observations - An example of the extreme faults of this style; symmetrical arrangement being rejected as a principle, and structured form disregarded, the whole appears the result of chance rather than design. The base is formless, confused and too heavy for the stem, which is in turn structurally broken in two places; the socket has no determinate form, and does not correspond to the cup inserted into it; all that is obtained by this sacrifice of structural and ornamental principles, is the mere glitter of metal.'
Henry Cole and other design reformers of the 19th century believed that museums could be 'antidotes to brutality and vice' and could serve to improve people's tastes and morals. The desire to improve the taste of the public was a strong one in this period as a response to the social problems linked with industrialisation and the perceived decline in British standards of manufacturing and design." Link
Pope & Plante
1851: "Stockings were essential items in everyone's wardrobe. The desire to mass-produce knitted hose spurred technological development, starting with the invention of the stocking frame in the late 16th century and the circular frame in the early 19th century.This stocking was almost certainly a special product for the Great Exhibition. An inscription is unusual in a commercially made garment at this date, but it shows the many different shapes and patterns that the company's knitting machines could produce. The words may be adapted from the Bible: 'Be ye all of one mind, having compassion one of another, love as brethren...' (1 Pet. 3:8)." Link
This stocking features two colours of silk, a black leg and foot with a white toe and welt. The addition of 'clocks' (patterns worked at the ankle) and decorative patterning in women's stockings was typical in the 19th century.The inclusion of the manufacturer's name and motto in the knitted pattern were special additions for the purpose of the exhibition. Normally the manufacturer was indicated by maker's marks or initials." Link
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